Internal poetic music in the poetry of Ibn Al-Murabit Al-Maliki, d. (658) AH

Abstract

The poet Ibn Al-Murabit Al-Maliki adopted the style of repetition in all its forms, both horizontally and vertically, which came in most of his poetic themes and its various purposes as a means of importance and confirmation of the meaning that the poet intended, in addition to the prevalence of the phenomenon of alliteration of its complete, incomplete, and derivational types within his poetic purposes of praise, ghazal, complaint, estrangement, and nostalgia. And his use of the method of rotation, through which he demonstrated his ingenuity and his ability to achieve consistency and harmony between the meaning of the word, the breadth of his sea, and the breadth of the poet’s remembrance in dividing the most beautiful lines of his poetry, achieving the meaning he aimed for. Among the artistic, rhythmic, and musical phenomena that the poet used was the art of juxtaposition in which he excelled, achieving cohesion. The musical and semantic harmony within the poetic line is at the end of its chest and the end of its sacrum.