The aesthetics of artistic expression in productions of Islamic Photography School

الملخص

The research highlights on the aesthetics of artistic expression in the products of the Islamic photography schools to highlight the most important aesthetic and aesthetic values ​​by analyzing selected models of those products that the Islamic photographer was able to employ the various life data and its multiple vocabulary to create visual spaces that are characterized by balanced symmetry. He distributes his vocabulary and characters and the contents of his photographic art through a visual text that gave special attention to these productions. These products came as a clear, articulated and expressive view of themselves, inspired by their ideas and implications from the social life of Islamic society.

The current research aims to reveal the aesthetics of artistic expression in the productions of Islamic photography schools.

Therefore, the researcher adopted the analytical descriptive approach in building the research procedures as it is the most scientific method suitable to achieve the objective of the current research. The current research community consists products of Islamic art photography schools in (Iraqi - Mughal in Iran - Timorese school - Ottoman Turkish photography) dating back to middle Ages.

Since the research community is very broad, the researcher resorted to selecting an objective sample consisting of (4) models:

1- Baghdad School  (Al-Barqa'a Center- The Hajj procession) 2- (zal under Roodbe's balcony) Shahnama Ferdosi 3- Elephant's Hour.

The main conclusions are:

pictures expressed a symbolic message, reflected the customs and traditions of those times.

2 - Misrepresentation was present by drawing shapes and exaggerating disposing of proportions contrary to the truth.

3 - coordinating the constituent components of the pictures and creating balanced and unified relationships with each other to achieve aesthetic expression.

The most important conclusions are:

1- The value of the creative achievement, the aesthetic and artistic inventory, and the power of expression in Islamic art through their expressions of the soul of society, showing the intellectual level of the Muslim artist.

2- The Islamic decoration was used in the products of Islamic schools to exalt the material existence based on the aesthetic shape which represented by the centrality of man.