The structural structure of the actor's performance and his work in the contemporary Iraqi theater

Abstract

he performance in the theatrical performance constitutes artistic, aesthetic and philosophical values   whose value increases with the rise in the form of performance. The research deals with this case, which formed a phenomenon in our Iraqi theater, according to which he formulated the title of his research (Performance between Modularity and Innovation in Theatrical Performance) to address this case, as his research is from the first chapter, which included the methodological framework and a set of definitions that preceded the research problem in which the researcher explained a topic. Modularity in performance as this framework organized a set of definitions for the terms that were mentioned in the title of the research with a set of procedural definitions that the researcher knew, while the second chapter included two frameworks. The first concerned the position of the typical representative between monotony and consumption and how stereotypes could affect the form of performance. And what he can offer for the example in terms of the ability to break the stereotypes that he can fall into. At the end of this chapter, the researcher reached a way A group of indicators through which he analyzed his research sample, which he deliberately chose, to arrive at the results discussed in Chapter Four, along with a set of recommendations that the researcher deems useful for workers in the field of representation