Geometric abstraction and randomness in modern painting

Abstract

The research aims to identify these abstractions in geometric and random forms in schools of modern art, starting from neo-impressionism to abstraction in the hard and fragmented edge, and beyond from art schools with their intellectual and philosophical premises.
The research included two topics. The first topic dealt with the basics of geometric and random formation, starting from Cézanne and his early and preparatory vision for cubism, leading to the infinite world of interpretation and revealing the image of the new world, while the second topic dealt with the basics of recognizing random shapes, starting from Kandinsky and ending with Malqic, who has a tendency of geometric abstraction with a pure sense.