The overlap between directorial vision and critical reading in formation Theatrical show

Main Article Content

د.عبد الرضا جاسم

Abstract

Theater is a collective act in which the author, director, actor, musician and designer participate.
The viewer, the lighting engineer, and others in the making of his harmonious plexus dimensions of collective creativity
Even when the writer is alone with himself and undertakes the first adventure of experimentation alone with his or her insomnia, he
Bearing in mind that the experimental act that produces its first strings is an act that embodies

with a random group. As a dramatic event, the antithesis of submissive stillness and servile silence.
This collective dimension of theatrical experimentation establishes its presence in a causal relationship with the conditions of
more complex than it is in the novel and poetry, where the individuality of creativity and reception differs from

The collective formula necessary for theatrical activity.
Through an aesthetic vision as one of the acts of experimentation that replaces the logic of rhythm and replaces
The place of creativity and the open horizon of the theatrical action is replaced by the strict rationality and the Baudip.
Oedipus, mired in his complex, is the vital symbol of his subconscious creative impulse and rebellion against

Every prison and knot.

Article Details

How to Cite
The overlap between directorial vision and critical reading in formation Theatrical show. (2023). Journal of the College of Basic Education, 52, 373-390. https://doi.org/10.35950/cbej.vi52.9527
Section
Articles for the humanities and pure sciences

How to Cite

The overlap between directorial vision and critical reading in formation Theatrical show. (2023). Journal of the College of Basic Education, 52, 373-390. https://doi.org/10.35950/cbej.vi52.9527