أثر التراث العراقي وبيئته في اسلوب الفنان سلام جبار جياد - دراسة تحليلية

Abstract

The Iraqi heritage and its environment has gained a prominent place in the literary and artistic circles, including its rich history and successive civilizations, which established the landmarks of urbanization and development, and transmitted the exemplary life of all human beings. Especially the arts. During the twentieth century, many artistic movements emerged in Iraq, influenced by the modern artistic styles that prevailed in Europe after the Impressionist school and the subsequent schools that emerged from them such as abstract, expressive and Cubist. The Iraqi government has devoted much of its attention to art and artists and has developed the means and possibilities to support and encourage artists and stand on the status of global, Arab and local art. From that appeared Iraqi artists have their word and their place shared creativity with their peers in Europe and the world at large and even surpassed them in this area and became referred to as the finger of the first professional artist in Iraq, Salam Jabbar Gyad. Because the Iraqi environment is one, but its elements vary from place to place, so this artist had his methods of expressing that environment. This study aimed to show the impact of the Iraqi heritage and its environment on the style of the artist Salam Jabbar Jiyad, an analytical study. And its limits (2009-2015), as it consisted of two axes, the theoretical axis and the concept of artistic style. And the concept of heritage. And the concept of the environment and its relationship to art, and the characteristics of the style in art and in it the study of the artistic methods of the Iraqi artist Salam Jabbar Jiyad. Through the theoretical and practical axis, several conclusions appeared in the conclusion showing the extent of the great influence of the environment on the topics and methods of the Iraqi artist Salam Jabbar Jiyad. Then the conclusions, recommendations and proposals, then a list of the sources and references upon which the pillars, rules and foundations of this study were based