Perceptions in the poetry of Ibn Asim Al-Gharnati (d.857 AH) ( An analytical study)

Abstract

      The artistic image is all that is represented by thought as perception, inclusion and conscience.  The image is by engaging the senses, so we cannot perceive things any more without engaging our senses from

 (Sight, hearing, touch, taste, and smell) is preceded by minds and minds.

    Through our browsing of the poet Ibn Assem Al-Andalusi Al-Gharnati (d.857 AH), we have seen this perceptual interaction and that link and approximation and correspondence between the objective and artistic reality together.  The sensual pillars and diving into that sensual aesthetics within a variety of topics between passion, praise, worship, repentance and nature as a creative Andalusian poet, the sources of beauty, nature and inanimate objects combined in his poetry in a sensual direction.  Our research was a platform for announcing these images and analyzing them in an aesthetic study.