Narrative hegemony and its penal techniques in the poetic text in the hadith Yassin Taha Hafez as a model

Abstract

The modern poetic text has not been subjected to such a massive exposure
World War II script dominance
The dominance of the narration at the joints of most of the texts of his poets, until those texts became permissible spaces
In which the narration reaches and wanders, and it seems that the modern poet abandoned lyricism and turned to other approaches
Such as romanticism, realism, and symbolism did not prevent the emergence of another form, seeking help this time
you lyrical wa
With the capabilities of the narration to confuse or spread a thick fog that prevents his poetry from being stigmatized by lyricism, especially that
The phenomenon of poetic narration is entirely a subjective lyrical phenomenon, except for the rare experiences of poets in their texts
Narratives such as al-Sayyab, al-Malaikah, Baland, al-Bayati, and those who came to them from the poets or those who came after them, are only evidence of
What we say, and from here we can prove the phenomenon of narrative hegemony over the modern poetic text, that hegemony