Scenography of theatrical weather in performances Iraqi theatre The rocking chair chant is a model
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Abstract
The contemporary theatrical movement produced different external and technical methods that were adopted to create
New aesthetic spaces according to the values of plastic art and the elements of architectural construction.
The sino-arvia is the visual diligence presented by the theatrical show, which is established through
Employment of the initial ritual according to the propositions of (Antonin Artaud), in which he relied on the transformation of the offer
theatrical into an aesthetic ritual in which both the actor and the recipient unite within a visual space that is
Alsinork Arvia and rituals most prominent features. The creation of the sino-arvi of the theatrical space was a privilege
For theatrical experimentation, hence the research problem (discovering the ambiguity of the concept of synographia
New aesthetic spaces according to the values of plastic art and the elements of architectural construction.
The sino-arvia is the visual diligence presented by the theatrical show, which is established through
Employment of the initial ritual according to the propositions of (Antonin Artaud), in which he relied on the transformation of the offer
theatrical into an aesthetic ritual in which both the actor and the recipient unite within a visual space that is
Alsinork Arvia and rituals most prominent features. The creation of the sino-arvi of the theatrical space was a privilege
For theatrical experimentation, hence the research problem (discovering the ambiguity of the concept of synographia
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Scenography of theatrical weather in performances Iraqi theatre The rocking chair chant is a model. (2022). Journal of the College of Basic Education, 16(64), 501-524. https://doi.org/10.35950/cbej.vi.7505
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Articles for the humanities and pure sciences

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How to Cite
Scenography of theatrical weather in performances Iraqi theatre The rocking chair chant is a model. (2022). Journal of the College of Basic Education, 16(64), 501-524. https://doi.org/10.35950/cbej.vi.7505