Patterns of encounter in the collection (public garden poems)

Abstract

Saadi Youssef has a distinguished case in the movement and modernity of poetry. It highlights this distinction in
Details that monitor the contradictory and private psychological states and his ability to seize them and then
Transferring it to the recipient in multiple formats that meet and intersect to transform the poetic text into a suggestive format
In other hidden formats, it introduces us to new vocabulary that, with its novelty, formed a kind of encounters
Such as lexical, spatial, kinesthetic, and so on. These interviews proved to us that language is the one
Contrast is made by its existence within the group of dissonant speech phenomena, and in order for this to be clear, it must be
Studying the relationships between vocabulary within the contrasting field and comparing them with their sub-topic. and he
What we will try to prove in this research.
entrance
The poet Saadi Youssef (1) grieves for us in the collection (Poems of the Public Garden), which is
Collection written between September 2007 - June 2008 ; A special world to show us in it - and who
Through fifty poems - ways we turn to, seeking some consolation for our humanity. This pulsates
The group ironically begins with alienation and astonishment; And he refuses to end it except for a bird who dreamed of returning
to his home; Here he is today refusing that return; And remember only that permanent refusal to embrace
who has long begged him; Perhaps this is the first paradox from which this group stems
It forms the basis of the contrast on which this study is based. The political reality produced its confrontations
new; By creating contrasting forms that reflect the public reality and the private reality. The political reality
By presenting negative thoughts that carry the meaning of escaping in many situations, it prompted a number of poets