Limits of the critical approach of Taha Hussein

Abstract

This research attempted to identify the critical approach of Taha Hussein; First stop at
The origins from which this approach was derived, so get acquainted with them, starting with the ancient linguistic critical origin
And ending with the data of the French schools as they are among its most prominent representatives, Hippolyte Taine and Saint Bev
Gustave Lanson; As well as French Impressionist critics such as Jules Lemaitre and Anatole
France.
Taha Hussein was able to carve a critical method for him through his assimilation and assimilation of these approaches.
It is an approach that involves a kind of construction. It has its own distinct unity and formative formula;
At first glance, it was a disparate group of cash buildings.
This is the solid core of Taha Hussein's approach or vision. It is a gathering vision
A binary approach between the old curriculum and the new curriculum; It is a problem under Taha Hussein suffering from it
long. This multiplication of the problem is very similar to the poets who claim to be modern
Despite his intermarriage in the production of his poetic text between the Khalili column and the poetry of tafila (poetry
free).
In this manner of compromise formulas; Draw Taha Hussein critical method, although this
The formula is not dialectical, and therefore its formula remained in relative safety, rather it remained consoling for its safety
Al-Dhahiriya from peers and followers was a role model and still is for others.