The aesthetics of theatrical space between the closed and open in the Iraqi theater

الملخص

The aesthetics of space in the theatrical play have gained different connotations passed by, where the design practices between the areas of imagination and innovation and between the realms of reality to create a consensus compatible with the intellectual and aesthetic contents of the play, the interest in theatrical space as a field of semantic and structural patterns and the system of signs, The development of theoretical and monetary frameworks that support the displacement of the experimental theater to leave the scene of the box and the search for alternative places that are more influential in the recipient, dealing directly with the science of the beauty of the place and theatrical space and the art of cinemography embodied in the elements of the problem of theatrical presentation(The representative, decoration, lighting, make-up, music, sound effects, accessories and accessories). The researcher started from the aesthetics of theatrical space between closed space and open space. The aesthetics of theatrical space constitute a qualitative leap in the rooting and realization of new works in dealing with this aspect Theatrical presentation as a technical and aesthetic translation and technique to deliver the subject in an integrated manner to the recipient, as the researcher wanted to arrive through the problem of his research has achieved theatrical spaces between the closed and open, and the implications of meanings and indications in theatrical play aesthetic function besides other functions Theatrical show