The scholarly reading of the structure of monotheism in the Mesopotamian civilization

Abstract

The Mesopotamian artist debated the symbols of deities with a scholarly momentum that is multi-formatted, varied in images and constructive indications. For every phenomenon there was an idol, and for every event there was an idol. This chapter of pluralism contributed to enriching the Mesopotamian thought with full and comprehensive knowledge of the descriptions of the religious space, which ultimately led to realizing the starting point of creation and formation, and defining The concept of monotheism in a way that was seen as pagan pluralism and polytheism based on what most of the previous studies came up with (