Employing the emotional alternative to music in the cinematic film Film (separation) as a model

Abstract

Our research deals with the emotional alternative to music in the cinematic film, and the research problem is determined by the following question: Is music obligatory in the narrative film? And when can it be replaced as an emotional substitute? The importance of the research lies in the fact that it studies a new case in film production, which is making a film without music. This study is of interest to specialists in the field of cinematic art, scholars and connoisseurs of film art, and provides the cinematic library with a new type of study. The research dealt with three topics, namely: 1- Music in the Narrative Film, 2- Movement in the Motion Picture Film, and 3- The Emotional Alternative to Music. Then an analysis of the movie (A Separation) directed by (Asghar Farahidi).