Semantic image coding in contemporary Theatrical performance

Abstract

 The image fields and their kinetic  signs are considered a semnatic presence for the sign communication  and an expansion in the dialectical  connection between the signifiers and thier signifieds  carried out by the  directive vision  in order to produce concealing  connotations that have their transitional essence  through  the ideas as being the  data of the performance. Image coding  seeks to  broadcast  the dual meaning within the multiple fields of performance. In order to understand the meaning amenating  from these visual encryptions, there appears the need to examine  the formation of these encryptions and how they  transform into   visual images. The researchers, in the introduction, addressed  the problem of the research: how is the semantic image coding  process is done in the theatrical show? The researchers tracked  the signs and their codes to produce an integrated image system with its signifiers and signifieds to represent a fertile reference for the semantic encryption.  The researcher founded a theoretical framework consisting of two sections: the first section(coding and semantics production) and the second section (the semantic coding in the directing experiments). The researchers derived a set of indicators that have been adopted in the analysis of the research sample, namely ( a group of texts have been integrated into one text  and have been presented in the theatre in the black theatre method) according to the descriptive approach. The researchers then reached at a  number of results such as  ( the gestures, voice and movement contributed in making the signifiers an influential tool in the formation of the coding visual image, which produced a semantic spread in the theatrical show). The research ends with a list of sources and an abstract in English.