References for the integration of vocal performance and scenographic construction For the Iraqi theatrical show (Baghdad, eternity between seriousness and jest) as a model

Abstract

Throughout its long history, the theater witnessed many changes that included my structure (text - presentation), and these changes were based on multiple shifting references, which affected the emergence of many literary or directive trends. The vocal as the carrier of the language of the text in the Iraqi theatrical show, taking the play (Baghdad, the eternal between seriousness and humor) as a model for it.